Blow the bloody doors off

Catherine Diverrès

Danse

IN CO-EXECUTION WITH THE ART DANSE FESTIVAL

ARTISTIC COLLABORATION & SET DESIGN Laurent Peduzzi
MUSICAL CREATION Jean-Luc Guionnet
INTERPRETATION Ensemble Dedalus and Seijiro Murayama
LIGHT CREATION Marie Christine Soma assistée de Fabien Bossard
COSTUMES Cidalia da Costa

  • CAST 

    MUSICIANS Didier Aschour, Cyprien Busolini, Stéphane Garin, Thierry Madiot, Thimothée Quost, Déborah Walker, Sejiro Murayama

    DANCERS Alexandre Bachelard, Lee Davern, Nathan Freyermuth, Harris Gkekas, Rafael Pardillo, Emilio Urbina, Pilar Andres Contreras, Capucine Goust

  • PRODUCTION / CO-PRODUCTION 

    PRODUCTION
    Compagnie Catherine Diverrès
    Association D'Octobre

    CO-PRODUCTION
    Théâtre Anne de Bretagne - Vannes
    Les Halles de Schaerbeek avec Ars Musica - Bruxelles
    Les Quinconces - scène conventionnée danse - Le Mans
    Le Volcan - Scène nationale - Le Havre, Pôle Sud 
    Centre de Développement Chorégraphique - Strasbourg
    Dispositif Accueil Studio 2016 : Ballet de l'Opéra National du Rhin
    Centre Chorégraphique National - Mulhouse

    With the support of the Fonds SACD Musique de Scène et du Centquatre - Paris

"All you had to do was blow the bloody doors off!" This cult reply from Michael Caine in The Italian Job in 1969 serves as an ironic and playful nod to this new creation from Catherine Diverrès, which poses a single question: "Is it possible to recapture the spontaneity and energetic immediacy of childhood?" In an almost tribal polyphony, a subtle alloy forged from different musical sources — conceived as a contemporary concerto for the percussionist Seijiro Murayama by Jean-Luc Guionet — and dances, this ample, fluid and intense creation weaves its own universe into a singular form of expression. What is the name of the unit for time and space?

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Auditorium
  • January 2019
    • Thursday 24 at 20:00
Price Dance
From 5,50€ to 28€
Duration
1h approximately

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